SKU: 33679901276
axis longboard pedals

axis longboard pedals Longboard | A-CAM

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Ships within 48 hours · Estimated delivery Sep 2 - Sep 7

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Description

axis longboard pedals Longboard | A-CAMAXiS Longboard A CAM Single Pedal The AXiS Longboard is the ultimate direct drive drum pedal: smooth, responsive, balanced and versatile from slow rock ballads to blistering blast beats, the AXiS Longboard Pedal has been the go to pedal for professional and amateur drummers since they were released in 1990. The extra long footboard and innovative engineering of this pedal make the AXiS Longboards truly unique. Providing drummers with enhanced leverage

AXiS Longboard A-CAM | Single Pedal

The AXiS Longboard is the ultimate direct drive drum pedal: smooth, responsive, balanced and versatile - from slow rock ballads to blistering blast beats, the AXiS Longboard Pedal has been the go-to pedal for professional and amateur drummers since they were released in 1990. The extra-long footboard and innovative engineering of this pedal make the AXiS Longboards truly unique. Providing drummers with enhanced leverage and multiple playing positions along the board - from heel-toe techniques at the back to powerful full-leg motions at the front. The Longboard footboard has an overall length of 12” and is 3.5” wide at the AXiS logo.

The AXiS A-CAM incorporates our patented Variable Drive Lever (VDL), allowing you to adjust the angle of the footboard independently of the beater angle. This simple adjustment alters the amount of footboard travel required to activate the beater, offering a range of feels from fast and responsive to slow and controlled. Minor adjustments in the VDL yield noticeable differences in how the pedal plays, giving you precise control to dial in the pedal for your individual playing style.

Made from aerospace grade aluminum and precision machined to exacting standards, AXiS Pedals are designed and built to withstand the grueling demands of the road. Stainless steel bearings at every pivot point ensure smooth, frictionless play while our unique direct drive assembly provides unparalleled power and responsiveness.

Notable Drummers that play AXiS Longboard Pedals Include:

- Derek Roddy (Signature Artist) | A21-CAM and Standard Spring Assembly
- Austin Archey (Lorna Shore) | A-CAM and MicroTune® Spring Tensioner
- James Stewart (Decapitated) | A-CAM and Standard Spring Assembly

Choose Your Spring Assembly

Standard Spring Assembly - The original AXiS Spring Assembly - simple and reliable. The medium duty spring provided a good balance between power and response and is suited for most playing styles. Custom thumb nuts allow for easy adjustment and a wide range of tension positions. LINK

MicroTune® Spring Tensioner - Our patented spring mechanism allows for easier adjustment and greater precision when fine-tuning spring tension. The heavy duty spring provides a wider tension range compared to our Standard Spring Assembly and is the spring of choice for drummers looking for a heavy spring tension. LINK

Each AXiS Longboard Pedal ships standard with our Marksman Beater. The Marksman has been the cornerstone of AXiS pedals for over 30 years and is beloved by drummers across all genres given its unparalleled versatility. For more information on the Marksman Beater or to check out our other beater options CLICK HERE

All AXiS Pedals are designed to work with all of our accessories, including our Detonator Trigger System and our Dock O’Matic quick-disconnect docking port. See below for more information.

AXiS is a Northern California based company. Our pedals, parts and accessories are made and assembled in the USA. We source and use the highest quality materials and precision machine all of our parts to exact specifications for unparalleled reliability. Road tested since 1990 - AXIS Quality Every Time.

What's In The Box

Drum Pedal(s)
One (1) Marksman Beater per pedal ordered
One (1) Tool Storage Tin with AXiS Logo
One (1) AXiS Tool Set - Six (6) hex wrenches
Six (6) Heavy-Duty Velcro® Strips per pedal
AXiS Drum Case, if ordered
AXiS Stickers & Pin Pack

Other Information

Warranty - all AXiS products come with a limited two (2) year warranty. LINK
Please note that our footboards are hand-painted by a few awesome people here at AXiS, some variability will exist from product to product.
Check out the AXiS Pedal Case - the best way to protect your pedals when traveling. LINK
Check out our other beater options. LINK
Beater Weight - if you want to add extra weight to your beaters, check out our custom-made, fully adjustable, beater weight. LINK
AXiS Trigger Systems - AXiS offers multiple pedal mounted trigger systems that are compatible with all AXiS pedals. Our triggers are designed to be accurate and responsive and are built to withstand the most grueling tour schedules. LINK
Our Dock O’Matic (DOM) docking port is an essential piece of equipment for any serious drummer. The DOM works as a quick-disscount for your AXiS Pedals (no more hoop clamps!) while also ensuring your beater(s) are perfectly centered. More information. LINK
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 33679901276

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4.6 ★★★★★
Based on 12 reviews
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J
Verified Purchase
Joel Bradford
Pawtucket, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Cuba, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
New York, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Boise, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
New York, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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